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FOR IMMEDIATE RELEASE
[Insert Date Here]
[Your Institution] Hosts Miniature Worlds: Art from India
Watercolors, drawings, and sculpture spanning 400 years of Indian history
are on view in Miniature Worlds: Art from India, opening on
[opening date] at [your institution]. Drawn from the extensive permanent
collection of The Art Complex Museum in Duxbury, Massachusetts, the
exhibition illuminates various forms of Indic media from the 15th to
the 19th centuries as well as aspects of its religion and history.
Two major Indian painting traditions, Rajput and Mughal, are represented
in the watercolors on display. Rajput paintings focus on religious themes
and are painted in a native style with bold, flat colors. These earliest
Indian paintings illustrate sacred Jain and Hindu texts. The establishment
of the Mughal dynasty in 1526 ushered in new themes, particularly history
painting and portraiture. Mughal paintings were composed by artists
affiliated with the court and reflect a style based on the Persian miniature
painting tradition.
The exhibition also includes three-dimensional works, such as Dancing
Ganesha, a sculpture executed in the first half of the 20th century.
Other exciting works in Miniature Worlds portray heroic battles
and hunting scenes.
[In this paragraph, provide details about any activities you plan in
conjunction with the exhibition. Also include information about museum/gallery
hours, admission costs, and a phone number to call for additional information.]
All of the works in Miniature Worlds are from the Leland C.
and Paula Wyman Collection at The Art Complex Museum, an extraordinary
collection of 300 paintings purchased in the late 1960s. The exhibition
is curated by Alice R. M. Hyland, Ph.D., of Trinity College, Hartford,
Connecticut, in collaboration with Catherine Mayes, Senior Curator at
The Art Complex Museum.
*Please see www.exhibitsusa.org
for the most current crediting information.
©2002 Mid-America Arts Alliance. All Rights Reserved For more information E-mail or call us at 1-800-473-3872.
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