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Our Work in DEIA

We at Mid-America Arts Alliance are dedicated to demonstrating our commitment to diversity and equity through policies, practices, programs, and services. You can read more about our specific goals in our Strategic Plan. Our values are these:

  • Freedom of cultural and creative expression is fundamental to humanity.
  • The arts and humanities encourage empathy and further the understanding of diverse cultures and traditions.
  • Collaborations and partnerships leverage creativity, resources, and experience to expand possibilities.
  • Thriving arts communities contribute to prosperous, successful societies.
  • Service to the arts ecosystem of the region is infused with innate curiosity and a creative approach to innovation, within an environment that allows for risk-taking and ongoing learning.
  • Commitment to equitable policies, inclusive practices, and celebration of the rich diversity of our region permeate our organizational structure and our service to the region.
A Path Forward: Program Expansion and Consultancy

In February 2021, we announced that Margie Johnson Reese would be partnering with the organization as Consultant, bringing her expertise in Arts Administration to help guide our work toward achieving the Equity and Inclusion goals and objectives of our strategic plan.

Priorities include building a racially diverse workforce; providing professional development and coaching for the staff and board; and supporting the infusion of inclusive and anti-racist practices throughout the organization’s internal and external service delivery.

Previously a Board member for Mid-America Arts Alliance from Wichita Falls, Texas, Reese most recently developed the Wichita Falls Arts Council as a new arts service organization that services a multi-county region that includes both urban and rural communities. Reese has made significant contributions to the field of Arts Administration as an educator and consultant, focusing on arts education, cultural planning, leadership development, and public policy design centered around racial equity.

“This work is very important to me, and I’m happy to continue to be a resource for Mid-America Arts Alliance as the organization deepens its commitment to equity and access,” said Reese.

Todd Stein, President and CEO of Mid-America Arts Alliance said, “Mid-America staff and Board are thrilled to be working with someone as exceptional as Reese as we do this essential work to better serve our region. We look forward to listening and growing under her expertise. It’s important that our constituents and our peers know that we are committed to inclusion and that we are always processing how to be better at responding to the needs of all. We strive to ensure that commitment to equitable policies, inclusive practices, and celebration of the rich diversity of our region permeate our organizational structure and our service to the region.”

Over $1.5million: US Regional Arts Resilience Fund Grants

In August 2020, Mid-America Arts Alliance announced the twenty-seven recipients of our region’s US Regional Arts Resilience Fund Grants. A program created through collaboration with our five sister US Regional Arts Organizations, Arts Midwest, Mid Atlantic Arts Foundation, New England Foundation for the Arts, South Arts, and Western States Arts Federation, the USRARF was funded through a $10 million grant from The Andrew W. Mellon Foundation and amplified in the Mid-America region through additional funding from The Windgate Foundation in Little Rock, Arkansas for visual arts organizations. The grant amounts ranged between $30,000 and $100,000, a significant investment supporting the resilience of small to mid-sized arts organizations that are led by or supporting communities of color, rural communities, and historically under-resourced populations, in response to the impact of COVID-19.

“We are honored to provide this critical support to these extraordinary arts organizations within the Mid-America region,” said Mid-America Arts Alliance President and CEO Todd Stein. “In focusing on organizations led by or supporting communities of color and rural communities, we reinforce the importance of these organizations and their vital role within our arts ecosystems. The arts have the power to unite, uplift, and propel our region forward, and it is a crucial need to fund these organizations that are often overlooked and historically under-resourced.”

The United States Regional Arts Resilience Fund provided non-matching grants to arts and cultural organizations across the US that faced economic hardships caused by the COVID-19 pandemic. The fund targeted rural and urban organizations that have statewide, regional, or national impact. These grants support small and mid-sized arts organizations of all artistic disciplines, especially those that are historically under-resourced, and those representing under-resourced populations, communities, and art forms. The grants support expenses associated with general operations, immediate response activities, future scenario planning, support for new media needs, help with the costs of collaborations, and costs associated with helping organizations reimagine their work and increase their resilience. M-AAA acknowledges the close collaborative partnership with the Arkansas Arts Council, Kansas Creative Arts Industries Commission, Missouri Arts Council, Nebraska Arts Council, Oklahoma Arts Council, and the Texas Commission on the Arts and their advocacy for and understanding of the importance of these crucial funds to support rural and underresourced organizations across the region.

Here is the list of grantees:

American Jazz Museum, Kansas City, Missouri; $50,000
Arts & Science Center for Southeast Arkansas, Pine Bluff, Arkansas; $75,000
Black Archives of Mid-America, Kansas City, Missouri; $30,000
Black Liberated Arts Center, Inc., Oklahoma City, Oklahoma; $30,000
Cara Mía Theatre Company, Dallas, Texas; $65,000
Dallas Black Dance Theatre, Dallas, Texas; $85,000
Dance of Asian America, Houston, Texas; $40,000
DeltaARTS, West Memphis, Arkansas; $50,000
El Museo Latino, Omaha, Nebraska; $50,000
The Ensemble Theatre, Houston, Texas; $75,000
Greenwood Cultural Center, Tulsa, Oklahoma; $100,000
InterUrban ArtHouse, Overland Park, Kansas; $65,115
Kansas African American Museum, Wichita, Kansas; $40,000
Mexic-Arte Museum, Austin, Texas; $75,000
Mid-America All-Indian Center Museum, Wichita, Kansas; $30,000
National Association of Latino Arts and Cultures, San Antonio, Texas; $65,000
National Blues Museum, St. Louis, Missouri; $65,000
Nebraska Writers Collective, Omaha, Nebraska; $40,000
Norman Arts and Humanities Council, Norman, Oklahoma; $65,000
Oklahoma Visual Arts Coalition, Oklahoma City, Oklahoma; $50,000
Prison Performing Arts, St. Louis, Missouri; $33,375
Project Row Houses, Houston, Texas; $85,000
Salina Art Center, Salina, Kansas; $40,000
SAY Sí, San Antonio, Texas; $63,900
St. Louis ArtWorks, St. Louis, Missouri; $63,610
Teatro Dallas, Dallas, Texas; $30,000
Union for Contemporary Art, Omaha, Nebraska; $75,000

(Pictured: Dallas Black Dance Theatre, photo by Amitava Sarkar)

Land and Labor Acknowledgement

We at Mid-America Arts Alliance collectively acknowledge that our offices as well as the six-state region that we serve are located on the occupied ancestral lands of First American Nations. M-AAA’s headquarters in Kansas City, MO resides on land cared for by the Kanza (today the Kaw Nation), the Osage, and the Očeti Šakówiŋ (the Great Sioux Nation) peoples. Mid-America’s Houston, TX office resides on the homeland of the Karankawa, Coahuiltecan, Atakapa-Ishak, and the Sana people of Texas’s Gulf Coast region. We recognize the history of forced relocation by the United States government of many First American Nations from their tribal homelands to our region in the late eighteenth century and throughout the nineteenth century.

The Indigenous peoples’ connection to this land has been challenged by violence, disease, treaties, invading settlers, relocations, forced removals, reservation termination policies, and other colonial actions; however, throughout this turbulent history, this land has continued to hold great historical, spiritual, and personal significance for the original land stewards of this region.

We thank the members of the First American communities and sovereign nations in our region today for their continued service of the land and for innumerable contributions to the region.

We acknowledge the legacy of slavery in our region and the enslaved African people whose labor was exploited for generations to help establish the economy of our region and the United States, specifically the production and harvest of surplus crops and land cultivation. An estimated 10 million enslaved Africans were forcibly brought to the Americas beginning in the 1500s until 1867. Countless millions of black people suffered in bondage in the United States until the ratification of the 13th Amendment in 1865 abolished slavery and indentured servitude.

The end of slavery was followed by a series of discriminatory and repressive laws that created a racial caste system that legitimized anti-black racism. The gruesome legacy of slavery, and the racist laws and practices that continue to be passed and implemented, impact American culture and our institutions at every level.

The labor of slaves built many of the civic and federal institutions with which we all interact and benefit from each day. The economics of the transatlantic slave trade and the exportation of cotton allowed the United States to position itself as a leader in global trade for centuries. Our nation continues to profit financially from the exploitation of the descendants of enslaved Africans.

We acknowledge the harm that colonialism and white supremacy have brought to these lands, in particular the erasure of both First American and African identities via racist laws that segregated all peoples. By recognizing the land that was taken from First Americans and the forced labor that was provided by enslaved Africans and black people, Mid-America Arts Alliance is acknowledging that we understand that the foundation of our country, the United States of America, and the roots that it created in order to grow and thrive, are based in colonialism, racism, and indignity. It is only by recognition and understanding these errors that were made during our nation’s origins that we can hope to correct our path.

Mid-America Alliance honors the Indigenous and enslaved peoples’ contributions and stewardship of the plains and waterways throughout our service area. We honor and celebrate their resilience. We commit to creating a future founded on respect and healing the deepest generational wounds by building bridges and mutual understanding. We will continue to re-educate ourselves about the histories and experiences of all peoples in our region.

*Mid-America Arts Alliance is grateful to those who helped us develop this Land & Labor Acknowledgment. From their research, experience, knowledge, and advice, we are more aware of how our nation’s past has impacted our present and how we can take steps toward a more equitable future. We want to recognize Haskell Indian Nations University, Lona Barrick of the Chickasaw Nation, Stephanie Seber, Carris Adams, and Mid-America’s DEIA Task Force for their efforts and contributions to this statement.


We abide by state and federal laws that prohibit public support to organizations (people or entities) that discriminate against people with disabilities. All of our partners and grantees—that includes exhibition venues, grant recipients, and presenting organizations—are required to assure that they are in compliance with Section 504 of the Rehabilitation Act of 1973 and the Americans with Disabilities Act of 1990 (ADA).

If you have questions, please contact Angelette Hart, Accessibility Coordinator at Mid-America Arts Alliance. She can be reached by email at Angelette@maaa.org or by phone at (816) 421-1388 ext. 216. Each of our member states has an Accessibility Coordinator, and you can find their contact info on this list.

What is the ADA?

The Americans with Disabilities Act (ADA) is a civil rights law that provides people with disabilities equal access to employment, state and local government programs, and goods and services.

Businesses that are open to the public, including, but not limited to:

  • Restaurants
  • Hotels
  • Taxis and shuttles
  • Grocery and department stores
  • Hospitals and medical offices
  • Theaters
  • Zoos

must comply with Title III of the ADA, and are prohibited from discriminating against individuals with disabilities. The ADA requires businesses to allow people with disabilities to bring their service animals into their establishment, even if the establishment has a “no pets” policy.

Title II of the ADA requires state and local government entities to modify policies and practices to permit the use of a service animal by a person with a disability.

The ADA affects:

  • People with disabilities and their family, friends, and advocates.
  • Employers with 15 or more employees.
  • Private businesses of any size that operate facilities such as restaurants, hotels, theaters, retail stores, medical offices, museums, private schools, day care centers, nonprofit organizations and amusement parks.
  • State and local government entities including school districts, law enforcement, judicial facilities, voting facilities, recreation programs, libraries, post-secondary institutions, emergency management departments, and other programs.
  • Telecommunications systems.
  • Public transportation.

(Information source: Rocky Mountain ADA Center)

Voices of Our Region

For nearly fifty years, Mid-America Arts Alliance has been sharing and advancing the work of artists and scholars in communities large and small. This work has included efforts to nurture the next generation of leading artists whose creative expression is grounded in authentic historic narrative.

Voices of Our Region tells their stories.

This online resource further acknowledges the contributions of M-AAA’s region by sharing the voices and stories of the artists, tradition bearers, scholars, and historians of our six-state service area (Arkansas, Kansas, Missouri, Nebraska, Oklahoma, and Texas). These essential voices reflect the cultural, racial, ethnic, and lived experience of the artists and storytellers of our richly diverse region.

Visit Voices of Our Region

Meeting the Needs of Our Constituents: Conversations

Mid-America Arts Alliance is pleased to have been able to facilitate funding for historically underresourced organizations through the US Regional Arts Resilience Fund in response to the challenges highlighted by the COVID-19 pandemic.

We recognize that the pandemic may still be impacting organizations’ operations for some time to come. In our efforts to understand and serve these challenges better, we are undertaking a two-step discovery process that will inform our work toward achieving greater programmatic and funding equity.

First, grantees and applicants completed a survey giving feedback about the USRARF grant process. Secondly, we hosted more in-depth discussions in October 2021. M-AAA needs to hear directly from our constituents about priority areas that will help advance their organizations’ stability and growth.

Margie J. Reese, longtime colleague and arts leader in our region, facilitated these discovery conversations, in addition to helping us consider meaningful ways to respond to these needs and ideas.


Photography courtesy of Dallas Black Dance Theatre.